Mark Tobey

1890–1976

Mark Tobey with his mural at Dartington Hall, Devonshire, UK, c.1933

Mark Tobey with his mural at Dartington Hall, Devonshire, UK, c.1933; Michael Whitney Straight, Photographs and Letters Relating to Mark Tobey Murals, circa 1933-1988, Archives of American Art, Smithsonian Institution, Washington, DC

Works Available

  • Untitled (Joe's Cafe, Drinking Coffee, Pike Place Market Scene, Seattle, WA), c.1930
  • oil on board
  • 26 3/4 x 21 inches / 67.9 x 53.3 cm

Inquire

  • Medieval Battle, 1935
  • tempera on board
  • 8 x 5 inches / 20.3 x 12.7 cm
  • signed

Inquire

  • Untitled, 1950
  • tempera on paper
  • 12 3/4 x 19 inches / 32.4 x 48.3 cm
  • signed

Inquire

  • Untitled, 1953
  • tempera, ink and graphite on paper on paperboard
  • 23 7/8 x 17 3/16 inches / 60.6 x 43.7 cm
  • signed

Inquire

  • Untitled, 1957
  • sumi ink on washi paper
  • 21 1/2 x 29 inches / 54.6 x 73.7 cm
  • signed

Inquire

  • Untitled (Space Ritual), 1957
  • sumi ink on paper
  • 24 x 34 inches / 61 x 86.4 cm
  • signed

Inquire

  • Untitled, 1958
  • tempera on paper
  • 18 7/8 x 15 1/2 inches / 48 x 39.5 cm
  • signed

Inquire

  • Untitled, c.1964
  • tempera and watercolor on paper
  • 11 1/4 x 7 1/4 inches / 28.6 x 18.4 cm
  • signed

Inquire

  • White Writing, 1964
  • tempera and watercolor on paper
  • 8 3/4 x 6 1/2 inches / 22.2 x 16.5 cm
  • signed

Inquire

  • Untitled, 1968
  • watercolor on paper
  • 12 5/8 x 15 3/8 inches / 32.1 x 39.1 cm
  • signed

Inquire

1/10

All artworks displayed above are currently available. To inquire about additional works available by this artist, please contact the gallery.

Biography

For me, the road has been a zig-zag into and out of old civilizations, seeking new horizons through meditation and contemplation. My sources of inspiration have gone from those of my native middle west to those of microscopic worlds. I have discovered many a universe on paving stones and tree barks. I know very little about what is generally called “abstract” painting. Pure abstraction would mean a type of painting completely unrelated to life, which is unacceptable to me. I have sought to make my painting “whole” but to attain this I have used a whirling mass. I take up no definite position. Maybe this explains someone’s remark while looking at one of my paintings: “Where is the center?"

— Mark Tobey [i]