Hale Woodruff

1900–1980

Hale Woodruff, c.1949

Hale Woodruff, c.1949; Photographer unknown, Courtesy of Clark Atlanta University Art Museum, Atlanta, GA

Works Available

  • Le Carrousel, Paris, 1927
  • oil on canvas
  • 13 x 16 inches / 33 x 40.6 cm
  • signed

Inquire

  • Les Bords de l'Eure, Chartres, c.1928
  • watercolor on paper
  • 14 1/2 x 16 7/8 inches / 36.8 x 42.9 cm
  • signed

Inquire

  • Untitled, c.1935
  • oil on canvas
  • 23 1/4 x 29 3/8 inches / 59.1 x 74.6 cm
  • signed

Inquire

  • San Miguel de Allende, 1936
  • oil on canvas
  • 22 1/4 x 28 1/4 inches / 56.5 x 71.8 cm
  • signed

Inquire

  • The Old Mill in Winter, c.1940
  • oil on burlap
  • 20 x 22 inches / 50.8 x 55.9 cm
  • signed

Inquire

  • Totem, c.1954
  • oil on canvas
  • 36 x 20 inches / 91.4 x 50.8 cm
  • signed

Inquire

  • Martin Luther King, c.1965
  • charcoal on paper
  • 24 x 18 inches / 61 x 45.7 cm
    22 1/2 x 15 1/4 inches / 57.1 x 38.7 cm sight size
  • signed

Inquire

  • A Celestial Door, c.1967
  • oil on canvas
  • 40 x 30 1/8 inches / 101.6 x 76.5 cm
  • signed

Inquire

  • Portal 2, c.1968
  • oil on canvas
  • 42 x 32 inches / 106.7 x 81.3 cm
  • signed

Inquire

  • Sentinel Gate, c.1970
  • oil on canvas
  • 36 3/8 x 36 1/8 inches / 92.4 x 91.8 cm

Inquire

  • Galaxy, 1973
  • oil on canvas
  • 48 x 18 inches / 121.9 x 45.7 cm
  • signed

Inquire

1/11

All artworks displayed above are currently available. To inquire about additional works available by this artist, please contact the gallery.

Biography

I think all art if it's worth its salt has got to be universal. But it comes from a local source, you see. That's it. It can be as local as all get-out, but it has to have this transcendental quality in order for it to be universal. Now it can be black art; it can be yellow art; white art; anything. But it comes from a local source. And this is the important thing.

— Hale Woodruff [i]

Press